Pratt 学院院长，著有The Vision of Robert Flaherty:The Artist as Myth and Filmmaker,Nonfiction Film Theory and Criticism,Filmguide to "Triumph of the Will"及In the Dark:A Primer of the Movies

Pratt 学院院长，著有The Vision of Robert Flaherty:The Artist as Myth and Filmmaker,Nonfiction Film Theory and Criticism,Filmguide to "Triumph of the Will"及In the Dark:A Primer of the Movies

Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book's four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" ...(展开全部)

Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book's four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" ...(展开全部)

凯斯•M. 约翰斯顿，东英吉利大学电影与电视研究专业的讲师，另著有《即将上映：预告片与好莱坞技术的贩卖》。

Nonfiction Film Theory and Criticism, an anthology edited by Professor Richard Barsam of Richmond College, City University of New York, aims rather conspicuously at this textbook market. Barsam has made several previous book attempts to anticipate the needs of teachers and students in the documentary field.

Nonfiction Film Theory and Criticism, an anthology edited by Professor Richard Barsam of Richmond College, City University of New York, aims rather conspicuously at this textbook market. Barsam has made several previous book attempts to anticipate the needs of teachers and students in the documentary field.

This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For this fourth edition, Kenneth Frampton has added a major new chapter that explores the effects of globalization on architecture in recent years, the rise annd rise of the celebrity architect, and the way in which practices worldwide have addressed such issues as...(展开全部)

肯尼斯・弗兰姆普敦，1930年生，建筑师、建筑史家及评论家，曾作为一名建筑师在伦敦AA（建筑协会）建筑学院接受培训，现为美国哥伦比亚大学建筑规划研究生院威尔讲席教授。他曾任教于本学科内许多一流的院校，其中包括伦敦皇家艺术学院，苏黎世ETH学院，阿姆斯特丹伯拉杰学院（Berlage Institute），洛桑EPFL及维吉尼亚大学。他写有大量关于现当代建筑的论著，并从1986－1990年担任由密斯・凡・德・罗基金会赞助的位于巴塞罗那的EEC欧洲建筑奖评委会主席。

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